Bret L. Stephens
Bret L. Stephens has been an opinion columnist with The New York Times since April 2017. He won a Pulitzer Prize for commentary at The Wall Street Journal in 2013 and was previously editor in chief of The Jerusalem Post.
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Trump’s whipsawing performances with Putin and Zelenskyy reminded me why I’m a proud neocon (¶¶Ňőap)
What would a traditional neocon say about Trump’s latest diplomatic efforts between Russia and Ukraine? A few points.

¶¶Ňőap: The imperative remains to end Hamas’ control of Gaza
President Donald Trump may be wrong about many things, but he’s right about this: This horror show of Hamas must end now.

¶¶Ňőap: The staggering cost of America’s failure in Afghanistan
This is happening on Biden’s watch, at Biden’s insistence, against the advice of his senior military advisers and with Biden’s firm assurance to the American people that what has just...

Bret Stephens: Only impeachment can save Republicans
The Pence-Trump story is also the GOP-Trump story. It is a play in four acts: brief resistance, abject submission, complete complicity and now bitter regret.

Bret L. Stephens: Meet a secret Trump voter
Chris is a registered Democrat in her 50s who lives in Manhattan. She’s asked me not to publish her last name. It would not go down well for her at...

Bret Stephens: Unwitting progressives for Trump
Many of these friends, I suspect, will reluctantly vote for Trump -- not out of sympathy for him, but out of disgust with defenses of looting and other things they...

Bret L. Stephens: What will a post-Trump GOP look like?
If Donald Trump stages another come-from-behind victory in November -- helped, in all likelihood, by the collapse of public order in American cities — the Republican Party will become an...

Bret Stephens: Reading Orwell for the Fourth of July
Reading Orwell for the Fourth of July

Bret Stephens: COVID-19 and the Big Government Problem
COVID-19 and the Big Government Problem

Stephens: Woody Allen meets the cancel culture
“Sentence first, verdict afterwards” is supposed to be the stuff of “Alice in Wonderland,” not what passes for literary judgment in America.