Whitney looks back with “Light Upon the Lake”
“Light Upon the Lake” isn’t just a perfect summer cookout album or late-night drive record, it¶¶Ňőap a means of looking back and remembering the past, no matter how bittersweet it...
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Flume and friends make “Skin” deep
Compared to Flume’s self-titled debut, which boasted only five featured artists, more collaborations turn the lengthy 80-minute play time of “Skin” into quite a journey.
When the circus meets the symphony: Flaming Lips prep “freaky” CSO show
The Flaming Lips' considered putting the Colorado Symphony Orchestra through a “How to Stay Calm While Pyrotechnics Explode All Around You and Giant Balloons Fall on Your Cello” training seminar.
At Red Rocks-headlining debut, Disclosure tunes in as crowd drops out
Disclosure: "“This is obviously the biggest show we’ve ever played in America."
Will Mayer Hawthorne ever find love?
Mayer Hawthrone is still hopelessly romantic on his latest album, "Man About Town," which he'll bring to Denver's Ogden Theatre on May 13.
Twin Peaks is all grown up on “Down in Heaven”
Twin Peaks are older and bolder on “Down in Heaven,” the band's most mature outing to date.
White Lung’s “Paradise” signals shape of punk to come
White Lung hail from Vancouver, Canada, but Los Angeles has molded the punk band’s adventurous new album, “Paradise,” into something entirely unique.
For $3, Wild Nothing scored the Bluebird Theater’s hoverboard joyride dreams
Whether it was Red Bull or crowd, Wild Nothing's was at their frenetic best on Saturday at the Bluebird Theater.
Frightened Rabbit’s Scott Hutchinson isn’t afraid of change
Scott Hutchinson, Scottish indie rocker from Frightened Rabbit, talks about the band's latest tour and how the band's new album pushes their sound further.
Watch folk quartet Mipso play “Bad Penny” in a Denver grow room
Mipso isn’t the first band to get high on Denver’s endless supply of legal weed, but they might be first to play inside a working grow operation. During a welcomed...