The late Dutch filmmaker Theo van Gogh (great-grandson of Vincent’s brother Theo) was murdered by Islamic extremists in 2004 before he could realize his idea of remaking three of his films in a New York setting with American actors.
A trio of American actor-directors teamed up with producers Gijs van de Westelaken and Bruce Weiss to realize the triptych of remakes, now called “Triple Theo.”
“Interview,” directed by Steve Buscemi and starring Buscemi and Sienna Miller, is the first of the three to be completed. Like “Blind Date,” which is slated to be directed by Stanley Tucci and “O6,” a phone-sex comedy to be remade by John Turturro, “Interview” centers on an intense, one-on-one conversation between a man and a woman. In this case, it’s a veteran war and political correspondent and a young television and B-movie star named Katya (Miller).
Pierre Peders (Buscemi) is seething about the assignment, which he considers beneath his dignity and which he’s gotten for reasons that remain unclear until near the end of the film. The interview gets off to a bad start when Katya shows up at the restaurant an hour late.
It gets worse when Pierre reveals that he’s done no preparation for the interview. Here the story might logically draw to an end, but the unlikely tete-a-tete suddenly resumes full force in Katya’s posh loft.
The fact that Miller and Buscemi convince us of her good intentions and his disinterested candor while the dynamic remains creepy and charged attests to the movie’s strengths.
For a film that unfolds mostly in a single location, “Interview” manages not to feel like a stage piece. But the premise, which may have worked in Holland, gets a little lost in the American translation. It’s not that you absolutely can’t see these two having this intimate conversation – it’s just that you really can’t imagine her publicist allowing it.
Still, if you can get past the absence of handlers from the big star’s life, there’s enough peril and potential for betrayal to keep you interested.
