LOS ANGELES — Jimmy Smits, a proven TV star in “L.A. Law” and “NYPD Blue,” is looking like the go-to guy when a drama’s juicy guest role demands leading-man heft.
In the final season of “The West Wing,” he was a Latino politician who becomes the first minority U.S. president. In the new season of “Dexter” (7 tonight on Showtime) Smits is a prosecutor who moves swiftly and dangerously to the center of Dexter Morgan’s dark world.
Assistant D.A. Miguel Prado is a man on the right side of the law, familiar territory for Smits. But there’s a “variety of different notes” to play with Prado, the actor said, which drew him to the role and story that unfolds over the third season.
“The character is something different than I’ve done before on television and what television audiences are used to seeing me as,” Smits said. Producers of the wryly grim drama promised that “I was going to have fun. And that’s been played out in such a great way.”
Prado himself is mired in tragedy. His brother has been slain, and the assumption is that a serial killer named Freebo is the murderer. But viewers are privy to the fact that the guilty party is Dexter (Michael C. Hall) — the blood-spatter expert who regularly makes a mess taking justice into his own hands. This time, however, his target was Freebo; Prado’s sibling happened to get in the way.
Prado enlists Dexter’s help to make sure Freebo is caught, while Dexter must get to him before police detectives do. The prosecutor and the forensics expert-cum-killer are fatefully linked. As the story turns, their relationship “lets Dexter open up in ways the audience hasn’t seen,” Smits said.
Smits called it a “testament to Michael’s work” that viewers find themselves rooting for a disturbing character.
Besides Hall (“Six Feet Under”), the series’ cast includes Julie Benz, Jennifer Carpenter, C.S. Lee, Lauren Velez, David Zayas and James Remar.
Given Smits’ rich TV resume — from “L.A. Law” in the late 1980s to last year’s short-lived “Cane” — it comes as a bit of surprise to realize that “Dexter” is his first cable series.
When asked about it, Smits points to changes in TV. These days, broadcast networks are more likely to put on reality series or formulaic crime shows than an envelope-pushing drama such as ABC’s “NYPD Blue” was in its day.
“I see it like fertile land for good writing, for exploration of character in different ways,” Smits said. “Networks are boxing themselves in in terms of what they’re doling out to their audiences.”
