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Jack Ely, co-founder of The Kingsmen and best known for his 1963 version of "Louie, Louie," plays his bass guitar at home in Terre Bonne, Ore.
Jack Ely, co-founder of The Kingsmen and best known for his 1963 version of “Louie, Louie,” plays his bass guitar at home in Terre Bonne, Ore.
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Jack Ely, the singer whose 1963 version of “Louie Louie” still makes the rounds on oldies radio, lives with his wife in a mobile home on a horse ranch in Oregon. Ely, 65, says they share $30,000 a year from her teacher’s pension and his Social Security checks. They are paying down a mortgage.

Since the advent of radio in the 1920s, songwriters have made a little money every time their tunes are played on stations in most industrialized countries. The six children of “Louie Louie” songwriter Richard Berry today share more than $100,000 in royalties every year. But performers like Ely don’t get a dime.

A bill moving through Congress aims to change that. It would let performers and the recording labels get a share of the ad revenue that radio stations collect from playing their songs. This pool of royalties could be hundreds of millions of dollars a year.

The bill has the support of the Judiciary Committee Chairman, Rep. John Conyers, D-Mich., and is set for final revisions this month before possibly being sent to the House floor for debate.

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