Most remakes of classic films are shadows of the originals. But Joel and Ethan Coen’s version of the Western “True Grit” — with Jeff Bridges as Rooster Cogburn, newcomer Hailee Steinfeld as the plucky Mattie Ross and Matt Damon as Texas Ranger LaBoeuf — has won over critics, audiences and even Kim Darby, who played the resolute Mattie in the 1969 original for which John Wayne won his only Oscar as the irascible Cogburn.
“It’s a wonderful movie,” said Darby, now 63. “It’s top drawer.” And so, she said, is Steinfeld.
“She’s just extraordinary in the film,” Darby said. “I said to her agent, ‘Be sure you’re careful what she does next. The next thing is what is so important.”‘ (Darby’s post “Grit” movies — including 1969’s “Generation” and 1970’s “Norwood” — didn’t exactly set the box office on fire.)
Darby was especially impressed with Steinfeld’s skills on horseback, including riding her black pony across a river. “God bless her that she did the whole thing,” said Darby, who admitted she probably was on a horse for only five minutes in the original.
“I am really afraid of horses,” she said. “I had a stunt double.”
Most of the major players from the original — including Wayne, Dennis Hopper, Jeff Corey and director Henry Hathaway — have died. But a few in addition to Darby are still around, including Robert Duvall (who played the outlaw gang leader “Lucky” Ned Pepper) and singing star Glen Campbell (who made his film debut as LaBoeuf).
For the 1969 “True Grit,” which like the 2010 film was adapted from Charles Portis’ novel, producer Hal Wallis originally wanted Mia Farrow to play Mattie. But she supposedly turned it down because her “Secret Ceremony” co-star Robert Mitchum warned her that Hathaway was a difficult director to work with. Wallis then saw Darby on an episode of the TV drama “Run for Your Life” in which she played an unwed mother and thought she had the pluck and vulnerability for the Mattie character.
She fondly recalls working with Wayne. “He was there on the set before anyone else and knew every line perfectly,” Darby said.
After the production finished filming, Darby remembered, there was a photo shoot at Paramount Pictures with the stars who were working at the studio at the time, “which were John Wayne, Barbra Streisand, Clint Eastwood, Goldie Hawn. … Robert Evans was in the middle. I was sitting on the curb a ways away watching. The Duke stepped out of the picture and he said, ‘Hey, kid.’ He put out his arms and lifted me up and brought me over and put me in the center of the picture. How wonderful is that?”
She did, though, have a bit of a problem with Hathaway, who was 71 when he directed the film.
“He was an old prop man and he usually focused on the prop man and he would just yell at him no matter what he did,” Darby said. Although they had gotten along well when she first met him at the studio, Hathaway yelled at her on the first day of shooting. “It got me so off guard,” she said. “I just got up and went back to my dressing room.”
Eventually, the two had a heart- to-heart talk. “I said, ‘Henry, I’ll do anything you want, just don’t yell at me again.’ After that day, we went along swimmingly.”
Campbell, now 74 and living in Malibu, said he also ran into problems with Hathaway. After being yelled at one day, Campbell recalled that he told the director, “You know, I can get on a horse and get out of here and get in my car and go back to L.A.’ He kind of looked at me and said, ‘Well, I have been tough on you.’ That was Henry Hathaway.” But he was thrilled working with Wayne, he said, because he had been a fan of the actor since he was a kid growing up in Delight, Ark. “It was just amazing,” Campbell recalled.
