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Matt Zambrano channels David Sedaris in "The SantaLand Diaries." Photo by Michael Ensminger, Provided by Denver Center Attractions
Matt Zambrano channels David Sedaris in “The SantaLand Diaries.” Photo by Michael Ensminger, Provided by Denver Center Attractions
DENVER, CO - JUNE 23: Claire Martin. Staff Mug. (Photo by Callaghan O'Hare/The Denver Post)
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The , and those who aren’t dreaming of sugarplums are reaching for the spiked eggnog after hearing for the eighth time in two hours.

* * * Dark comedy

It’s the spiked-eggnog crowd that BETC’s production of targets, the cynical elder siblings of the starry-eyed little ballerinas impatient to see “The Nutcracker,” and the adults who sing of Christmas” instead of the words.

Written by David Sedaris, who first performed an edited version of his essay on Dec. 23, 1992, for , “The Santaland Diaries” chronicle his dispiriting service as an for the Herald Square Macy’s Santa attraction.

Anyone familiar with knows there probably won’t be a lot of , anecdotes. (Let’s just say that “The Santaland Diaries” won’t be airing anytime soon on Hallmark’s All Christmas All The Time channel.)

Instead, “Santaland” confirms the pre-epiphany versions of the Grinch and Scrooge, along with the firsthand experience of nearly any Black Friday shopper.

Under the watchful, horrified eye of Crumpet the elf — Macy’s makes the elves assume seasonal names — mothers instruct their little boys to go ahead and pee in the artificial snowbank, instead of taking them to the restroom.

He helpfully steers a white family whose parents requested a Santa that “isn’t chocolate” toward Macy’s African-American Santa.

Crumpet delights in helping a mom with a truculent child, describing Santa’s displeasure with naughty kids in chilling terms.

As Crumpet, Matt Zambrano is terrific, channeling the late Robin Williams as he conjures different characters. He is at his gleefully malicious best when he describes Santaland’s somewhat tawdry underpinnings.

Zambrano is not above engaging a bit with the audience, including a sort of meet-and-greet preceding the show, or calling out someone who merits special attention because of an unusual elf name.

Along with the programs, theater staff hand out stickers bearing elf names. Yes, you are expected to peel them off and wear them, even if (especially if!) your elf name is Christmas Joy or Sparkle Snowman. (After the show, you can re-gift the stickers to 4-year-old girls, who will be deliriously happy to be rechristened.)

There are matinees as well as evening performances. The show runs 90 minutes with — take note, mothers eyeing fake snowbanks — and the bar closes a few minutes after Crumpet takes the stage.

The versatile set was designed by Nicholas Renaud, who included a kind of creepy dog door the elves are meant to use, and a shelf where Crumpet can .

Claire Martin: 303-954-1477, cmartin@denverpost.com or twitter.com/byclairemartin

THE SANTALAND DIARIESBy David Sedaris. Adapted by Joe Mantello. Directed by Stephen Weitz. Starring Matt Zambrano. Set design by Nicholas Renaud, lighting design by Lily Bradford, sound design by Andrew Metzroth. Through Dec. 24 at the Jones Theater, Denver Center for the Performing Arts, tickets $25 online at betc.org, or by calling 303-893-4100.

The santaland diaries

Matt Zambrano stars in the Boulder Ensemble Theatre Company’s production of “The Santaland Diaries,” David Sedaris’s version of a Christmas story.

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