“Maudie” presents a portrait of an artist that is raw and revelatory
"Maudie" is a portrait of a woman that feels raw, real and revelatory.
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“Despicable Me 3” is good enough, but far from great
Like yet another cold, sugary soft drink dispensed from a vending machine, the animated sequel "Despicable Me 3" is only satisfying in direct proportion to one's thirst.
Millennials set their marital woes to music in “Band Aid”
Two and one-half stars. Unrated. 聽94 minutes.
“Cars 3”: Once more around the track, for old times sake 聽
Lightning McQueen's third time around the track is showing signs that Disney/Pixar's reliable "Cars" franchise may finally be starting to run out of gas.
“The Book of Henry” is a misbegotten mish-mash of several different movies
Vigilante thriller/family dramedy bends genres to the breaking point.
“It Comes at Night” builds an atmosphere of almost unbearable psychological horror
Anyone expecting the movie "It Comes at Night" to live up - or, rather, to live down - to the self-consciously cheesy promise of its name, which hints at the...
“Pirates of the Caribbean: Dead Men Tell No Tales”: Long, loud and overstimulating
Part 5 of Disney's popular pirate saga feels like the vacation you'll need a vacation from.
“Wakefield” is a fascinating and frustrating thought exercise
Two stars. Rated R. 聽109 minutes. By Michael O'Sullivan. The Washington Post The literary ghost, if not the macabre spirit, of Edgar Allan Poe haunts "Wakefield," a movie notable for...
“Everything, Everything”: A whole lot of nothing remotely plausible
More experienced viewers probably will, for their part, spot the movie's downbeat twists from a mile away. No amount of mental preparation, however, can vaccinate you against the one plot...
The 35 movies everyone will be talking about this summer
Could this be the year when the boys of summer yield a bit of the box office to the girls?