Born and raised in Washington, D.C., Michael O’Sullivan has worked since 1993 at The Washington Post, where he covers art, film and other forms of popular — and unpopular — culture.
It's hard to know what to make of the protagonist of "The Only Living Boy in New York," a dour but idealistic aspiring writer in his early 20s who, when...
At once reassuringly familiar -- even starchy -- and yet oddly unsatisfying, "The Hitman's Bodyguard" is meat-and-potatoes moviemaking at its most fungible.
The Devil-doll prequel "Annabelle: Creation," while pulled together from the familiar components of the ghost story, is uncommonly, nerve-wrackingly satisfying.
Photographer Elsa Dorfman is known for her large-format Polaroid portraits, created on 20-by-24-inch instant film, using one of the five cameras originally built by the company, which stopped making the...
In a breath of fresh air, "Homecoming" opens with a prologue that, despite the movie's origin-story contours, has nothing to do with getting bitten by a radioactive spider, or the...