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Here are selected minireviews of films in theaters, listed alphabetically.
Some reviews originate at other newspapers that do not award star ratings.
“17 Again”
Comedy. * 1/2. PG-13. A guy wishes he’d taken a different road and gets that opportunity when he’s transported back to senior year of high school. Now Mike O’Donnell (Zac Efron) is a schoolmate to his kids and way too young to be hanging around his loved but estranged wife. The story is as familiar as it sounds. Director Burr Steers can’t calibrate the edge, which provide plenty of uncomfortable, not so funny moments. But he does capture star Efron’s quasar aura. Matthew Perry, Leslie Mann and Michelle Trachtenberg star. (Kennedy) 102 minutes
“Angels & Demons
Thriller. **. PG-13. Professor Robert Langdon returns to interpret dark signs and obscure symbols in Ron Howard’s latest adaptation of a Dan Brown conspiracy tale. Tom Hanks stars, along with Ayelet Zurer, Ewan McGregor and Armin Mueller-Stahl in a tale that features a dead pope; a murdered physicist; a vengeful secret society called the Illuminati; and a bomb of antimatter pulsing beneath Vatican City. With dialog that is often exposition, “Angels & Demons” might well be the most expensive audio book ever. (Kennedy) 138 minutes
“Earth”
Eco-doc. ***. G. If Disneynature’s first feature seems like a much abridged version of “Planet Earth,” that’s because there’s talent overlap with the celebrated BBC series, starting with directors Alastair Motherwell and Mark Linfield. “Earth” follows a year in the life of three animal families (polar bears, humpback whales and elephants). There are plenty of magnificent close-ups, aerials, slo-mo and time-lapsed footage of other animal kingdom denizens. James Earl Jones lends his rich baritone to the at-times overly didactic script. (Kennedy) 90 minutes
“Fast & Furious”
Auto Action. * 1/2. PG-13. You get your cars that are fast and your characters that are furious. This is an expertly made action film, with special effects are good and the acting is extremely basic. Dom Toretto (Vin Diesel) has been in the Dominican Republic for the past six years but now returns to America, where he is a wanted man. Probable charges: vehicular homicide, murder, smuggling, dating an FBI agent’s sister. Reason for return: Letty (Michelle Rodriguez), the girl he loved, has been killed. This provides a scaffolding on which to hang the movie, which involves a series of chase scenes, fights, explosions and sexy women who would like to make themselves available to Toretto, to no avail. He is single-minded. (Roger Ebert, Chicago Tribune) 107 minutes
“Fighting”
Drama. ***. PG-13. Guilt meet pleasure. Director-cowriter Dito Montiel’s popcorn nod to grittier ’70s films stars lovely brute Channing Tatum as a street fighter with heart and Terrence Howard as his hustler-mentor. Keep an eye open for Zulay Henao, who plays the love interest. Watch as Altagarcia Guzmán nearly steals the whole rough-and-tender show as a compact, straight-talking grandmother. (Kennedy) 104 minutes
“Ghosts of Girlfriends Past”
Romantic Comedy. ** 1/2. PG-13. “Ghosts of Girlfriends Past” with Matthew McConaughey as Connor Mead, a won’t-commit heel of a fashion photographer, who goes through supermodels the way banks go through stimulus money. He’s so oversexed and overbooked that he has to break up “in bulk” — three women dumped by conference call. But the wedding of his brother drags Connor Mead back to the family estate, back to where he learned his womanizing ways from his late Uncle Wayne, back to the girl he let get away. Jennifer Garner is perfectly cast as Connor’s first love, the one he fled because she’s on to him. (Roger Moore, Orlano Sentinel) 115 minutes
“Goodbye Solo”
Drama. *** 1/2. Not Rated. Solo is a Senegal-born cabbie in Winston-Salem, N.C., and bubbles over with an immigrant’s optimism. The old man he picks up is his polar opposite. William is a coot who says little. When he does it’s usually an insult. As the film begins, William already has given Solo $100 of the $1,000 he has promised for a one-way cab ride the following week to Blowing Rock Mountain, about two hours away. Apparently the place is a magnet for suicidal jumpers. But the embittered William and the normally sunny Solo provide a quietly compelling look at the extremes of the human condition. (Robert W. Butler, McClatchy Newspapers) 91 minutes
“Hannah Montana: The Movie”
‘Tween Musical. **. G. “Hannah Montana: The Movie” version of the Disney TV series is made for girls aged 6-14 and no one else. And they’re gonna love it. If you were a 10-year-old girl, you would of course want to be small-town sweetheart Miley Stewart and/or her secret pop-star alter ego, Hannah Montana. Miley Cyrus makes both characters so likably harmless and so attractively accessible, it’s hard not to be charmed. Just try to resist her endless supply of energy and moxie! Even when she gets a little petulant and carried away with her celebrity lifestyle in Los Angeles — which prompts a return to Tennessee for some hometown reprogramming. (Christy Lemire, Associated Press) 99 minutes
“Knowing”
Sci-Fi Thriller. 1/2. PG-13. Cage plays John Koestler, an MIT astrophysicist whose son comes home with a slip of paper he took from a newly opened time capsule. It’s covered with numbers. And dad starts to see patterns in the number sequence 09112996. He breaks the code, sees other disasters in sync with other numbers. And then he finds the dates of disasters that haven’t happened yet. (Roger Moore, The Orlando Sentinel) 110 minutes
“Lemon Tree”
Family Drama. ***. Not Rated. A Palestinian widow has been eking a living selling lemonade since inheriting the grove from her father. The Israeli defense minister moves into a mansion next door. His security chief looks at the trees and sees a terrorist in every one. Down the lemon grove must come. The widow decides to fight taking the case all the way to Israel’s Supreme Court. (Ty Burr, Boston Globe) 106 minutes
“The Limits of Control”
Crime Story. ** 1/2. R. His face a chisled work of art, Isaach de Bankolé mesmerizes as the calm, observant outlaw in Jim Jarmusch’s methodically moody crime story. A job leads the Lone Man to Spain where he has a series of encounters and exchanges with enigmantic figures, Bill Murray makes a fascinating and rough appearance. Others playing well their inscrutable parts: Tilda Swinton, Hiam Abbass, and John Hurt to name a few. Flamenco star La Truco wows in a scene that reminds us how magical it can be — like our mysterious guide — a stranger in a strange land. (Kennedy) 116 minutes
“Lymelife”
Drama. ***. R. In “Lymelife,” a jagged meditation on suburban angst and adolescence, the place just isn’t big enough to escape the noise. The cast is ferociously good, bringing unpredictability to familiar scenarios of infidelity, alienation and betrayal. “Lymelife” is at its best in the scenes with teens Scott and Adrianna (scared, tender, hormonal), and when Alec Baldwin is on camera. His Mickey is a guy at once self-aware and self-destructive. (Steven Rea, Philadelphia Inquirer) 95 minutes
“Monsters vs. Aliens”
Re-animated B movie. ***. PG. So what if this animated homage to sci-fi, B-movies raids pop culture’s attic for stuff to wow the kids. What it lacks in originality, it nearly makes up for with winking asides and FX pleasures. From the opening scene, the movie’s 3D tricks inspire oohs, ahhs, and whoas. Reese Witherspoon voices bride-to-be Susan Murphy. Irradiated by meteor gunk, she grows just shy of 50 feet tall (wink). At a top secret facility, she meets fellow misfit monsters B.O.B, Missing Link, Dr. Cockroach Ph.D, and a beguiling grub named Insectosaurus. The battle of the title comes when alien Gallaxhar (and his clones) arrive to plunder Earth. The roster of clever voice talent includes Seth Rogen, Will Arnett, Hugh Laurie, Rainn Wilson and Stephen Colbert. (Kennedy) 94 minutes
“Next Day Air”
Comedy. *. R. Approximately 200 f-bombs carpet this unfunny drug comedy about Leo (Donald Faison), a weed-addled delivery man who sets in motion a guns-drawn showdown when he delivers a package of cociaine to the wrong apartment. Faison of “Scrubs” deserves a better. Yasmin Deliz shows the only promise, as Chita, a stand-by-your-hombre girlfriend. Mike Epps, Wood Harris, and Mos Def also star. (Kennedy) 84 minutes
“Rudo y Cursi”
Dramedy. ***. R. In writer-director Carlos Cuarón’s migration fable, Gael García Bernal and Diego Luna play well with and against each other as brothers who find fame, fortune and misfortune when they leave their village for competing professional soccer teams in Mexico City. Guillermo Francella brings the right note of rascal to the role of the brothers’ manager. In Spanish with English subtitles. (Kennedy) 102 minutes
“The Soloist”
Drama. *** 1/2. PG-13. This story of a story of a homeless musician and the Los Angeles Times reporter who writes a column, then another and another about their remarkable relationship is preceptive and engaging. As Nathaniel Anthony Ayers and Steve Lopez, dynamos Jamie Foxx and Robert Downey Jr.’s deliver a series of duets that hit the high and sour notes of friendship. Catherine Keener stars plays Lopez’s (fictional) ex-wife and colleagues. Many of the film’s luminous extras came from organizations like the Lamp Community, which serve Skid Row’s often forgotten citizens. (Kennedy) 119 minutes
“Star Trek”
Sci-fi Adventure. *** 1/2. PG-13. J.J. Abrams — a master in his own television universe with “Lost” — has beamed onto screens a prequel worthy of the wit and grit of Gene Roddenberry’s 1960s television series. Chris Pine as Kirk and Zachary Quinto as Spock head a fresh cast of dopplegangers — if not physically, in spirit. Summer’s popcorn pleasures have their official launch with this rousing, goofily moving adventure, set in a time — as much as a space-time defying ride can be — when Kirk and Spock were Starfleet Academy rivals. Also onboard: Karl Urban, Zoë Saldana, and Simon Pegg. Eric Bana brings fine menace to his role as Romulan Nero. (Kennedy) 126 minutes
“State of Play”
Political Thriller. *** 1/2. PG-13. Forgive it the dull title. This conspiracy thriller comes at us like a bat out of hell and keeps up a brisk rhythm built for intelligence. Russell Crowe as Washington Globe reporter Cal McAffrey, Helen Mirren is his editor, and Rachel McAdams is a talented (and cost-effective) blogger. Early on, a thief, a bystander, and a pretty congressional aide wind up dead. Is there a connection? Puh-lease. Ben Affleck plays Rep. Stephen Collins. Robin Wright Penn is his wife. Jeff Daniels also stars. (Kennedy) 127 minutes
“Terminator Salvation”
Action Sequel. **. PG-13. The year, 2018. Resistence leader John Connor must decide if a cyborg (who believes he’s human) can be trusted to save the teen who will become the rebel leader’s father. Yes, “Terminator” returns with its space-time tease about past, future and Apocalypse. And the right tensions (about what makes us human) are in this fourth installment, starring the ever grim Christian Bale as Connor. Only director McG and the writers never achieve the sweet combo of humane story, indelible characters and visceral action that made the first two “Terminators” unforgettable. Aussie Sam Worthington plays Marcus, Skynet’s advanced cyborg assassin. (Kennedy) 115 minutes
“X-Men Origins: Wolverine”
Comic Book. **. PG-13. Hugh Jackman seems more than willing to make this prequel growl playing the most interesting of X-Men, cigar chomping Logan-Wolverine. Liev Schreiber is at the ready, too, as brother and nemesis, Victor. So what dulls Wolverine’s new “adamantium” claws? An unresolved tension. Like the best comic-book adaptations, the movie wants be taken seriously about issues of violence and ambivalence while relying on the facile tricks of lesser action flicks. (Kennedy) 117 minutes
