Here’s your rundown of the stories of the day for August 15, 2014. Download The Denver Post app for and for breaking news 24/7. For a daily sports fix, download our new Denver Post Sports app for and .
If you’ve been holding your breath for the resurrection of the Colfax Avenue trolley, you can exhale in disappointment. Denver’s traffic planners rejected the “Modern Streetcar” in favor of recommending .
Denver Mayor Michael Hancock hinted about d. The complex is designed as a downtown gateway for RTD’s East Line from Denver International Airport.
In the final day of training camp, Broncos backup QB Brock Osweiler was during a two-minute drill. Hopefully he’ll fare better vs. the 49ers. On the plus side, were at camp reminiscing about how Peyton used to be Todd’s backup (at least that’s what I assume they talk about all the time).
Police finally , but also released documents alleging the young man had been suspected of stealing cigars from a convenience store in a “strong-arm” robbery shortly before he was killed. Police later clarified that the officer that shot and killed Brown did not know he was a suspect at the time of the deadly confrontation. Brown’s family attorney said that the police “are choosing to disseminate information that is very strategic to try to help them justify the execution-style” killing.
It’s a long time to November folks, and the Sen. Mark Udall and Rep. Cory Gardner camps are already at it. Today’s weapon of choice? . Buckle up, Colorado.
Only regardless of their legal status have managed to get documents during the first two weeks of a new law.
If you just can’t stand the Rockies’ most recent tailspin and you prefer your sports on ice instead of turf, Sept. 21 can’t come fast enough. That’s the day that .
One of Golden’s 25 main-street sculptures, the majestic bronze “Cowboy’s Day Off,” .
After a horrific accident atop a rotting telephone pole in 2004, former Xcel Energy lineman Andrew Blood decided to take his multi-million-dollar settlement from the company to .
Denver painter Daniel Sprick’s show is called “Fictions,” and the name serves as a reminder that his pieces, though hyper-realistic, are in fact, an artist’s interpretation of the facts. They look like photos at first, but the longer you stare – and you do – the more the brush strokes emerge, turning them, like their subjects, very human. .
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