Born and raised in Washington, D.C., Michael O’Sullivan has worked since 1993 at The Washington Post, where he covers art, film and other forms of popular — and unpopular — culture.
Watching "Deadpool 2" is like having Deadpool sitting next to you with a bucket of popcorn, trashing whatever is taking place on-screen -- and all of pop culture, really.
Into this season of the Serious Movie, when every other film seems to speak to the troubled times in which we actually live, the fact-based, yet farcical "The Disaster Artist"...