Born and raised in Washington, D.C., Michael O’Sullivan has worked since 1993 at The Washington Post, where he covers art, film and other forms of popular — and unpopular — culture.
The thriller-ish premise of "All I See Is You" sounds familiar enough: A woman, blind since a childhood accident that killed her parents, undergoes surgery to restore sight in one...
"The Killing of a Sacred Deer" is, as you might expect from the reunion of actor Colin Farrell and filmmaker Yorgos Lanthimos, Farrell's director in "The Lobster," a strange, wonderful,...
Unlike the first two Lego films, which tapped into widely accessible universes, "Ninjago" demands a familiarity, not with any recognized cultural touchstone, but with a relatively obscure -- and prefab...
It's possible that Dylan O'Brien may someday grow into the role of Mitch Rapp -- the dangerously lethal terrorist-hunter hero of the late Vince Flynn's popular series of pulpy spy...
Like the 2013 music documentary "Muscle Shoals," which posited a poetic connection between hit songs and water -- in that case, the Tennessee River and the Fame recording studio of...