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Phillip Seymour Hoffman in ``Capote.''
Phillip Seymour Hoffman in “Capote.”
Michael Booth of The Denver Post
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Getting your player ready...

1 “Capote” The contest never seemed close, as Phillip Seymour Hoffman’s tortured face has haunted audiences ever since they left the theater. A remarkable statement about fame, journalism and violence, “Capote” has staying power.

2 “March of the Penguins” Name another movie this year that more perfectly accomplished what it set out to do. If there was an Oscar category for best characters, the tuxedoed talent of this eye-popping documentary would sweep the nominations.

3 “The Constant Gardener” A seriously engrossing movie made by and for adults, with intrigue, romance and despair in a realistical African setting. Director Fernando Meirelles and stars Ralph Fiennes and Rachel Weisz are all going places.

4 “Syriana” In a depressing thriller reminiscent of 1970s greats like “Chinatown,” director Steven Gaghan gets away with some amazingly political and cynical lines.

5 “Good Night, and Good Luck” Though not a perfect movie story, this film renewed our trust that big Hollywood names like George Clooney are interested in making great and important pictures.

6 “Enron: The Smartest Guys in the Room” A polished and riveting explanation of the biggest financial scandal in years. Every politician should see it; every voter should memorize it.

7 “Murderball” One of a strong slate of documentaries in 2005, it took us to a new world, one that exists all around us in the form of disability. All too human, “Murderball’s” stars refuse pity and earn nothing but respect.

8 “King Kong” The biggest movies can be fun and well-made – who knew? Peter Jackson did, and set himself up for another strong run at an Oscar for best picture.

9 “North Country” Insightful and moving exploration of how the sexes treat each other, realistically set in a forgotten and gritty corner of America. Confirms Charlize Theron as a true actress, nevermind “Aeon Flux.”

10 “Millions” An achingly inventive family movie from the prince of British badness, Danny Boyle. Does stealing a million hurt anyone if no one misses it, and can dead mums become saints? Two questions for the ages.

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