BEVERLY HILLS, Calif. — Another “Sex and the City” movie is in the works and even though they have small audiences, “In Treatment” and “Tell Me You Love Me” are back for another season because, among other things, they’re cost-effective, HBO’s two top programming executives said recently at Summer TV Press Tour 2008.
Oh, and “Deadwood”? Still dead.
HBO parent Warner Bros. and New Line have “enormous interest” in doing another “Sex and the City” film, according to HBO Programming Group president Michael Lombardo, who said the studio is “trying with our help to put that together.”
Asked whether success of the “Sex” flick increases the likelihood of a “Sopranos” flick, HBO co-president Richard Plepler said, “Whatever David (Chase) wants to do is totally up to David. … We’d be delighted.”
“Curb Your Enthusiasm” will be back. For sure. Hopefully. Almost certainly, the execs said: Larry David “has said he’s coming back,” Lombardo explained. “We have a deal for him to come back for another season. … He hasn’t started shooting, but yeah, we’re counting on it.”
“Clearly he has an idea,” Lombardo said. “When he’s ready to commit a hundred percent, we’ll have that conversation.”
The 100-day writers strike affected HBO “significantly,” Lombardo said, explaining that the network had planned to offer a new season of “Entourage” and the start of Alan Ball’s vampire series, “True Blood,” in the summer. “We got pushed back … four months on everything,” he said.
“Critics wanted to know why HBO did not renew its profanity spew- athon period piece “Deadwood” and — God help us — “John From Cincinnati” but did renew both the watch- a-shrink-talk-to-patients drama “In Treatment” and the see-troubled- couples-attempt-to-have-sex — a lot — drama “Tell Me You Love Me.” You can see their point.
“John From Cincinnati” wasn’t “embraced by viewers, in terms of the number of people watching the show,” Lombardo said — odd, given that the network steadfastly insists it does not care about ratings.
“It wasn’t embraced by the press,” Lombardo said, which immediately endeared him to the critics, considering that the broadcast networks are universally utterly dismissive of the media and the role they play in a show’s success or failure. He said the decision to pull the plug was “mutual” between HBO suits and creator David Milch.
The decision to put “Deadwood” (also created by Milch) out of its misery, on the other hand, was “much more contentious,” Lombardo said.
And the odds of that “Deadwood” movie that had been considered are now “slim to none,” the execs said, what with Milch working on a new drama for HBO called “Last of the Ninth,” about New York cops in the ’70s.
” ‘In Treatment’ absolutely delivered for us on what the producer said they were going to deliver,” Lombardo said of that show’s return. He acknowledged it was “an enormous undertaking” to watch the series’s first run, five nights a week for nine weeks. “People who did tune in really loved that show,” he said. “It got decent press and is an enormously cost-effective show,” he added.
