Most family dramas contain too much drama. In most families, the past and present don’t meet and find resolution during a 24-hour period, no matter how many American films you’ve seen about Thanksgiving. Painful family issues are more likely to stay beneath the surface, known to everyone but not spoken of. “Still Walking,” a magnificent new film from Japan, is very wise about that, and very true.
A dozen years ago, the prized possession of this family was Junpei, the eldest son, doted on by his parents and admired by his younger brother and sister. But Junpei drowned while saving a life, and every year the family gathers to visit his grave.
These occasions are hated by Ryota (Hiroshi Abe), the second son. His father (Yoshio Harada) almost blames him for not being the one who died. On the drive to his hometown at the seaside, Ryota tells his new wife, Yukari (Yui Natsukawa), they must not even stay the night. This will be her first meeting with the parents; she is a widow with a young son.
The father is a retired physician, slowed with age, still marching joylessly on his daily walk. He stays mostly closed off in his office and greets his son brusquely. The mother has her doubts about this marriage.
Also together for this day are Ryota’s older sister and her husband. It is only slowly that we pick up the suppressed currents of feeling in the family; on the surface, the mother stays cheerful, although the old doctor’s bitterness is obvious.
The day arrives at some sort of centerpiece when they welcome a luncheon guest, who is never named. This is the man Junpei died while saving. He is homely, fat, ill at ease, squirmy, apologetic, bursting from his white dress shirt. The doctor clearly doesn’t regard him as having been worth saving.
Ryota has spent a lifetime feeling shunned by his father and considered inferior to his brother. He has been wounded time and again, and so he is alert to the discomfort of the saved man. Why do they even invite him? He’s obviously suffering during these annual visits. They invite him, he learns offhandedly, because he suffers.
If anyone can be considered an heir of the great Yasujiro Ozu, it might be Hirokazu Kore-Eda, the writer and director of “Still Walking.” He sees intensely and tenderly into his characters. He pays meticulous attention to composition and camera placement.
Acting as his own editor, he doesn’t cut for immediately effect, but for the subtle gathering of power.
His actors look as if they could be such people as they portray.
He feels a strong connection with spouses separated by death or circumstances, and the children who are involved.
Kore-Eda is a tender humanist, and that fits well with his elegant visual style.
“STILL WALKING.”
Not rated. 1 hour, 54 minutes. In Japanese with English subtitles. Written and directed by Hirokazu Kore-Eda; starring Hiroshi Abe, Yui Natsukawa, You, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki and Yoshio Harada. Opens today at the Chez Artiste.
